PARATACTIC
by Phanta Yu
When we were young I occupied the summit
atop your shoulders, though you were not much
taller than me. When asked about phonics and
grammar, I knew not much really. Independent
or dependent, one could stand the other needed
a shoulder. When I remember I feel as though I
see through your eyes When I was in fifth grade
I sang the same song you did, that Bill Withers
song about implied shoulders. When we were
younger I thought I might be your shadow
trailing paths which you had visited already
When I arrived in the country we called home
or the country where you sought liberty or
joy or love whatever it may be (it is all fine with me)
I sensed your residue a shadow, a ghost, couched
from the shoulders of my newly acquired height
(approximately yours) When I remember I feel
the leak of time, as though you left your own
faucet running in another country and it falls
upon me. When I propped up my dependent
clause against the wall, removed the shoulders,
it seemed like it was waiting for something.
When we were young our shadows attached at
the shoulders. Because I see my shadow alone
I became obsessed with the word brother. Dear
brother I think in my quiet moments when
I need a shoulder. Because our paths forked
I plucked subordinating bridges from my
life sentence. I had hardly a story to tell. I
took a leap. Then another. Until I found
myself; islands away in the independent
country. I am tired of waiting. You know
the feeling. We both can sift through the
catalogue of rooms. When in Papa’s room;
When in Francis’ room; When in late room;
When in emergency room; When in lobby at
rehabilitation; When in psych ward; When
unaccompanied at the airport. These are
stories with no end. The very fabric of our
lives. It is okay. Our paths run parallel. The
unanswered thread stitched between us.
Sometimes, surrounded by the hypotactic
ocean, I extend my hand like a dependent
clause: When we were young; I say again.
Phanta Yu (she/her) is a Posse Scholar, Thomas J. Watson Fellow, and Brooklyn Poets Fellow that loves snail mail and cyanotypes.